If it is true that, as we age, we become even more of whatever we have been all our lives, then Luci Shaw is becoming more and more difficult to “shelve.” A poet and essayist well into her eighties, she continues to tackle topics ranging from quantum mechanics and the incarnation to the haecceity** of things and what it means to “doubt faithfully.”
Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace examines these themes and more within the context of Luci’s decoding of the rich presence of purpose, design, and beauty in the universe in which we see God’s fingerprints and His invitation to become part of the creative process.
In four places in Scripture, God is identified metaphorically as a potter, and, made in His image, we also delight in the creation of useful and beautiful things. This response to beauty should not surprise us, for it is a “mark of the Maker,” and Luci Shaw has concluded that “beauty doesn’t reside simply in what we observe or the fact that we can see and take note, but in how we perceive and distinguish with all our senses.” The glory of this is that as seers, we become “partners in revelation to bring beauty into view.”
A collector of pottery through the years, Luci invites her readers to consider the beauty that results when something is imprinted or stamped upon clay — or upon a life.
**To discover the meaning of “haecceity” and to read this post in its entirety click on over to The Perennial Gen where I’m sharing my review of Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace.
I hope you will join the conversation over there as we wonder out loud together: Can we live in awareness of the rich evidence of purpose, the fingerprints of God upon His world, and then invite others into the creative process?
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This book was provided by InterVarsity Press in exchange for my review. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
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